Nagib program 28.8 - 7.9.

NAGIB 2^nd Floor @ ex-Casino:   Delavnice     

[Sreda, 28. 8. – Petek, 30. 8. od 10h-17h]

# Mala Kline: PRESENCING / raziskovalno srečanje

NAGIB 2^nd Floor @ ex-Casino & GT22: Odprti umetniški procesi ob 19.00

Druženje z umetniki:

# sreda 28. Avgust,: PostArtLab – KODA: ODER 

[Koncept: Monika Pocrnjić Programiranje: Matjaž Lenhart].Projekt"Lekcija 5 - Hacklab GT22"

(Lokacija druženja: GT22 – Glavni trg 22)

# četrtek, 29. Avgust: Matthew Day & Rhiannon Newton (Lokacija druženja: 2^nd Floor @ ex-Casino)

# petek, 30. Avgust: Mala Kline (Lokacija druženja: 2^nd Floor @ ex-Casino)

# sobota, 31. Avgust: danceCO (Lokacija druženja: 2^nd Floor @ ex-Casino)

NAGIB 2^nd Floor @ ex-Casino: PRED-DOGODEK: PROCESI

četrtek, 5. september 2013 ob 20.00

Procesi ustvarjalcev:

# Mala Kline/DREAMLAB: “Communitas”  [delo v nastajanju / prezentacija]

# Matthew Day & Rhiannona Newton (Avstralija): “Working progress” [prezentacija]

Začetek partnerskega projekta, v katerem sodelujejo: Mala Kline [Slo], Petra Zanki [Hr], Matthew Day in Rhiannona Newton [Aus] in festivali: Under the Radar/Brisbane festival [Avstralija], Perforacije [Hrvaška] in Nagib [Slovenija]

# Jerneja Rebernak & Nataša Živković & Matjaž Lenhart: PostArtLab - Fraktal 9  [interaktivni performans]. Projekt"Lekcija 5 - Hacklab GT22".

NAGIB 2^nd Floor@ ex-Casino: GLAVNI DOGODEK: ZGODBE

sobota, 7. september 2013 ob 20.00

Zgodbe ustvarjalcev:  

# danceCO & guests - “danceCO web-site-on-line, absoluteB, dancEtudes, scoring dance – from the dance archive” [prezentacija 4-ih začasnih koreografij]. Mednarodni sodobno-plesni kolektiv danceCO se trenutno ukvarja z začasnostjo: ustvarja opus začasnih plesov (temporary dances) v različnih medijih. Nagib bo predstavil “4 začasne koreografije” (Produkcija Zavod Udarnik).

# Dualik: ‘’PEACE ZONE”

kostumografija skozi modni performans in draženje majic VREDNOT

# Toni Soprano : just now_ (vizualije in fotografija)

# Vlasta Veselko: SREČANJE- DOTIK

izkustveni performans/delavnica (…tanga)

# Udarniška Dražba : Stol + 10 cm2 = Udarnik podpora 

Nagib Operaterka/vodja: Petra Hazabent

Zapisovalka: Andreja Kopač

Na klavirju: Nejc Kovač

Na fluti in bag-pipe: Behrang Azhdari

Set-rigger: Andraž Bobnar

Medijski pogajalec: Žiga Brdnik

Hrana & pijača: Jani Slamič, Marko Šijanec & Rene Strgar

Video action: Rene Strgar (5-0.si) in JK Media

So-igralci: Srđan Trifunović, Igor Unuk,

***********************************************************************************

Produkcija: Plesna Izba Maribor   

Koprodukcija: Zavod Udarnik      

Finančna podpora: Ministrstvo za kulturo RS in Mestna občina Maribor    

Partnerji: Britt Guy (Avstralija); samostojna producenkta in kuratorka (Under the Radar / Brisbane Festival), Festival Perforacije, SNG Maribor, Fundacija Sonda in GT22.   

Sponzorji: Amis, Trgovina Fortuna

Posebne zahvale: Danilo Rošker, Marija Cvirn, Tomaž Josip Ivan Tomljanović, Boštjan Hazabent, David Orešič, Drago Prosnik, Fotogalerija RJAVA RAZGLEDNICA, Gorazd Bedenčič, Nada in Peter Hazabent, Vlasta Veselko, Miha Horvat, Srđan Trifunović, Nikola Račić, Metka Golec, Igor Dobričić, Andrej in Danica Hazabent, Dejan Damiš, Katarina H. Štraus, Katja Kosi, Tina Valentan, Luka Martin Škof.  

Nagib 2013

Umetnost [p]odpiranja

 zgodb & procesov

2^nd FLOOR @ ex Casino

Selitev v drugo nadstropje znamenitega nekdanjega mariborskega Casinoja [na Glavnem trgu 1] ne pomeni le premik više, ampak tudi korak dlje v povezovanju ustvarjalnih procesov [umetnosti] in specifične časovnosti. Maribor je danes razpršeno mesto številnih zamujenih priložnosti, odklopljenih sanj in spominov na življenje v enotnosti; ki sta ga opredeljevali upanje, solidarnost in delovni zanos. Nagib 2013 zato skuša kolektivno zavest in medsebojno [so]delovanje ponovno obuditi in razpršiti ter v tovrstni proces dejavno vključiti gledalca, ki se bo v drugem nadstropju navdihujočega ambienta znašel prvič. In to bo šele začetek …

Vabimo Vas k udeležbi na unikatnem umetniškem dogodku, ki združuje vrsto odličnih domačih in tujih umetniških imen s področja sodobnega plesa, performansa, intermedijske in vizualne umetnosti, glasbe in umetnosti oblačenja. V središče letošnjega druženja je postavljeno vprašanje medsebojnega [p]odpiranja; tako v odnosu med umetniki, njihovimi zgodbami in procesi, kot v komunikaciji z gledalcem.

»Would you, could you, can you afford to support culture?«

1.9. Being the audience

If performance looks at us really, we run. If we look at it really, sometimes it runs.
In this fragile space, this potentiality, this offering through space and time, bodies reveal the histories of being watched. We watch one another all the time. And yet we run away from it, from being watched or watching too close. It seems like before we do not reconcile with the act of watching and being exposed and exposing by watching, we can not move forward. So please, lets reconcile. Lets find pleasure again in seeing life unfolding before our eyes. Lets find pleasure again in playing, in allowing to be seduced.
When a child plays or watches someone else play for him, they take it very serious. Taking it serious means surrendering their control completely. That is how you take things serious.
Not by parading your mechanism of control before your eyes, enjoying your own display of power over what invites your attention. No.
It is by being so serious that you surrender.
That is how you do not need to parade your alertness. But you simply are.
Sometimes we pretend we surrender. We play dead. Our mechanisms of control are endless. We die off, closing our eyes and in the deepest corners of our mind we wait. Enjoying in the anticipation of the moment when performance will come to close to a mistake..and bam!...we hit it dead.
Playing dead and only waking up to kill things is a truly messed up dynamic of a relationship. I think it will take some years to clean such space properly. Good luck.
Playing dead to be kissed back to life... Good luck for that one too.

How do we body-stare in each others bodies? And by keeping ourselves present and out of reach of control, how do we let this relationship to breath and grow and mature? After all I think both sides at the end are looking for some kind of connection really. 

Needless to say, looking is not enough. 
"Be generous." A sentence from today for tomorrow.

(Anja Bornšek.)

1.9. Parkour 4 !!!! Sobota/Saturday 1.9.

19.30 Predstavitev/ Presentation Mala Kline, Plesna izba Maribor

21.00 Predstavitev/ Presentation Fanni Futterknecht, Salon Rotovž

23.00 Koncert-predstava John Kihot/ Concert performance John Quixote, John the Housband, Kino Udarnik (po filmu/ after the movie)

*Posamezni parkouri so večurni dogodki, ki se dogajajo v določenem zaporedju na festivalskih lokacijah. / Individual parkours are separate, several hours long events taking place in a specific order at the festival's locations.